
A very cool blog keeping up to date on the Finer side o' the Arts by Kim DeMarco-illustrator and professor type.
"Maybe my star is fading, Maybe my heart could break tonight, Just like a fire that's flaming, Spreading Holy Light" --Matt Berry as Tim Wynde playing The Inn Keeper In AD/BC



Okay, I'm going to soft launch Arms and Ether tonight. Winter break is at an end, and I'll be danged it if I won't have one entire 4-panel comic up online to show for it. I'll make another post ce soir when the first strip is live. I'm thinking when I have 5- 10 strips up, I'll go for a harder launch. Making a bunch of noise about having one strip up is like having a big concert where your band plays one song.
Screw my stuff. But for the love of anything holy in this world, do the following:




Two nice flat color schemes that have been on my mind lately. The mind-numbingly talented Chris Ware (duh) and this Waiting For Godot cover that made me nostalgic for home during my freshman year. Anyhow, I was working on an evening scene for Arms and Ether, so I busted these for inspiration. I have to be careful, lest "inspiration" turn into "inferiority complex."


Whew. 5:20 p.m. and just finished the last episode of The Wire. I did a midnight-5:00 a.m. shift for the first 5 episodes and then started back in around 11:00 a.m. today. Dang. If all those police and criminals can stay out all night carrying on, then I should damn well be able to sit up on my couch with a half-rack of Coke and some Doritos, fool. As people with greater critical faculties will tell you, it's one of the best shows ever. If you don't believe me, check out Warren Hedges' Immanent Domain post on The Wire. I'd say, it's right up there with The Golden Girls, and Omar Little is the Wire's Estelle Getty.


Here's this year's Christmas card to celebrate the economic downturn.

Crotchety and ticked off now that it's 11:20 p.m. Grrr. Productive day, swell day, but I noticed I was tired and aggravated by 9:00 p.m. I'm feeling driven to get some groove on with Arms and Ether, and the groove had not fully materialised. Hence crankiness. So I put in a few more hours and feel a bit better about my work. Unfortunately, staying up = increased cranky, so . . . we'll see how it all shakes down.
I encountered this crazy new file format called ".gif" today. I've never seen it before, and Windows Vista doesn't know what to do with it. Maybe I need to visit the "Windows Marketplace" or the "LView Pro" website that they recommend?
I've been helping Debi Blair and Morgan Cottle's 3rd and 5th grade classes put together a video project commemorating the 100th anniversary of Lithia Park. Martha Wilhelm, another volunteer (and recently retired teacher) took this picture while we were listening to playback during an audio recording session. Man, these kids are talented--it's always humbling working with young 'uns. I challenge you not to break down weeping when listening to 8-year-olds read their own haikus.
Writer's are an odd lot. The creepy thing about writing is you can't really see what it's about from a distance. You see the visual arts and you hear music. They make an immediate impact. But writing. . . writing's . . . different. Is this writer the next James Joyce or that freaky guy at the coffee shop who talks to himself? (yeah, yeah, they might be one and the same, but humor me). So, to save you some time shuffling through crappy writers, here's Christy Raedeke--a good writer.
If I ever start getting cynical about ye olde Higher Ed, I shamble over to the Music Department and get a load of what they're up to. Musicians are hard-core in their commitment to their calling, and there's just no place to hide when you're shakin' it up on stage. I like that. I wish we visual artists had more of that immediacy to keep us honest. So check out S.O.U. Percussion Professor Terry Longshore's site and get inspired. I'm looking forward to collaborating with Terry on an (as yet unnamed) animation project. Stay tuned for the mesmerizing details.




Here's a stab at hand lettering--compare it with the image in the previous post. I did several versions of the text on bristol with a Hunt 102 nib, and some Micron pens. The version I used here was done with a .05 micron.



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